HBO's 'Southern Rites' Screening in NYC

In 2009, New York-based photographer Gillian Laub ventured into two small counties in southeast Georgia to document the area’s still-segregated high school proms. (If this sounds familiar, it’s because the segregated prom story gained national attention in The New York Times.) Two years later, Laub returned to Georgia to document the town’s racial progress, including the election campaign of an African-American sheriff.

While Laub was in town, a Black 22-year-old man was fatally shot by a white man, dividing locals along their well-worn racial lines.

HBO’s new documentary, Southern Rites, directed by Laub and executive-produced by John Legend, delves deep into the complicated racial tensions still beleaguering the Southern town.

“I seriously felt like these were stories that just needed to be told, and the more [the community] pushed me away, the more I realized how important and necessary it is to get out in the world and be talked about,” Laub said on Monday evening at a New York screening.

In 2011, Norman Neesmith’s great-niece, who was living with her uncle, invited Justin Patterson and his younger brother to their house. Neesmith woke up, saw the men in his home and grabbed his gun. He demanded the two explain why they were there. As the brothers attempted to run out the back door, Neesmith fired his gun, wounding Patterson, who died in a nearby field.

The twist? Neesmith’s niece is black.

“There was a killing of a young, unarmed black boy that wasn’t being reported on,” said Laub. “ I couldn’t handle the injustice. I couldn’t handle it.”

Determined to expose the truth about this tragedy, Laub traded her tripod for a video camera and began teaching herself the basics of filmmaking. Using her newfound skills, she thoroughly examined the shooting, aftermath, and trial in the slaying of Patterson.

“This film doesn’t give easy, tidy answers,” Laub said.

That it doesn’t. As more and more layers come to light, viewers quickly see that the problems in the town run deeper than just skin color—not everything is black and white.

Legend, also at the screening, thought that the documentary could spark new conversations in today’s racially charged environment. “When we talk about ‘Black Lives Matter,’ this film is an embodiment of that,” Legend said, “because it really shows the impact that killing a young Black man has on the family, on the community, and it really does matter.”

Don’t miss Southern Rites, which premieres Monday, May 18 at 9 p.m. ET on HBO.

HBO's 'Southern Rites': A Must See

I remember the big New York Times story in 2009 about a small town in Georgia who had segregated proms—yes, in 2009. Though the local schools integrated in 1971—17 Years after Brown vs. Brown of Education, the landmark case which denounced the idea of “separate but equal”—the proms remained white and black only, respectively. (Although white students were allowed to attend the Black prom.) The reason for the separation, which students interviewed by The Times seemed to be largely against? Tradition.

Sigh.

I was late to the party, learning that this was still going on in 2011. Nearly a decade earlier, photographer Gillian Laub was commissioned by Time Magazine to document the one-race only proms. In 2009, her photographs were published in the Times, which made the proms a national topic and finally nudged the town of Montgomery County to integrate in 2010.

Laub returned to the town in 2011 with a film crew to document the complicated race relations, racism and fear that persists there. The result, HBO’s latest documentary, “Southern Rites”, which is executive produced by singer/songwriter John Legend. (Laub also has a book documenting this subject with the same name.)

Laub showed up in Mount Vernon, Georgia for the high school festivities, but found so much more when she arrived. The first Black police chief was on a campaign to become Sheriff, and a young Black man was killed by a white man, after the man discovered him in his house at the invitation of the man’s (Black) niece. The town, unsurprisingly, was divided among racial lines.

“This is a story that needs to be told,” said Laub. “This film is about giving a voice to the people of Montgomery and Toombs counties. This is their narrative. “

Check out the trailer for “Southern Rites” below:

[embed]https://www.youtube.com/watch?v=pg9qpUIS0rg[/embed]

Southern Rites airs on HBO on May 18 at 9 PM. For additional information about Southern Rites, visit: HERE 

The Root: We Can All Learn From Maya Peterson

 

I might be Maya Peterson’s biggest fan. Don’t know her name just yet? You should. She’s the prep school graduate everyone’s buzzing about for her bold, if a bit misguided, way of tackling sexism and racism at her New Jersey high school.

Maya, a black-Latina lesbian, was elected class president at the very elite and very white Lawrenceville School, the most expensive boarding school in America. She ran on a platform that catered to minority students and underclassmen. She was the school’s first black female president and its first lesbian president, too.

Maya’s term abruptly ended in March when she posted a picture on Instagram mocking some of her classmates. She dressed up like the white boys at her school while holding a hockey stick and wearing an entitled glare. The caption had the hashtags #romney2016, #confederate and #peakedinhighschool.

“You’re the student body president, and you’re mocking and blatantly insulting a large group of the school’s male population,” one commenter wrote in response to the picture.

Maya’s response was epic: “Yes, I am making a mockery of the right-wing, confederate-flag hanging, openly misogynistic Lawrentians,” she wrote. “If that’s a large portion of the school’s male population, then I think the issue is not with my bringing attention to it in a lighthearted way, but rather why no one has brought attention to it before ... ”

Welp.

This is why I like her. She got into a position of power and—unlike so many politicians who swear they’re about change and making a difference but who, once they’re elected, get stifled by the status quo—used her voice to address something that mattered to her and the people who elected her. It’s what we all wish we could do in our corner of the world but so few of us actually do. It’s admirable. And while I may have bursts of “DILLIGAF” now in my mid-30s, I certainly didn’t have it at Maya’s age of 17.

Her election represents the school’s—and, in many ways, America’s—colorful changing face. As we’ve seen this play out on a national scale with our actual president, change—coming in the (threatening) form of a nonwhite and/or female person in charge—doesn’t always go over so well in places where there’s a long tradition of white, conservative men being in power.

I was a prep school student, too—though my school wasn’t nearly as elite or expensive. The racism and sense of entitlement of some—not all—wealthy white students and of administrators who don’t know what to do with black kids is, unfortunately, part of the deal with sending your black child to a predominantly white school.

Read more: here